The nunchaku, as we know it, comes from Okinawa (Uchina), today a part of Japan.
Okinawa lies almost midway between Taiwan and the Japanese "mainland",
and is the largest island in the Ryukyu (literally "rope") archipelago,
a 650 mile long chain of small islands between southern Japan and Taiwan.
Many think
that the nunchaku has descended from the rice flail to level rice fields. After
several studies, this belief was found to be erroneous. The actual Okinawan
flail, like the European flail, has a handle as long as a man's height to make
the threshing process easier. So the belief that the nunchaku descended from
the Okinawan rice flail must be baseless. A possible reason for this error in
belief, besides its resemblance to the nunchaku, may be the existence of the
a combat flail (uchibo), which really is a modified rice flail, among the weapons
of Okinawan kobujutsu.
There are a few more rational beliefs about the nunchaku's prototype. The most
credible version (attested to by a number of Japanese masters of kobudo) is
that the nunchaku descends from an Okinawan horse bit (muge). Initially the
handles of the bit were curved. Later it was changed to the straight-handled
weapon that we know today.
There also
exists versions of the nunchaku's history which state that it was once a night-watchman's
rattle or a tool for barking banana trees (the best fabric on Okinawa was produced
from banana bark). Finally, one additional version, supported by such experts
as Miyagi and Ikeda, says that the nunchaku was copied from a Chinese weapon
brought to Okinawa by Chinese immigrants. Indirect evidence of this version
is the fact that the word used for "nunchaku" is borrowed from the
Chinese language.
How did a farmer's
tool evolve into a deadly weapon and who used it? To answer these questions
let's take a tour through Okinawan history.
In 1429 king
Sho Hashi, founded the Sho dynasty by uniting three principalities of Okinawa,
Hokuzan, Nanzan and Chuzan, creating the Ryukyu kingdom with the city of Shuri
as its capitol. Sho Hashi now had a region with a number of united domains,
not a single country. Each lord sat in his own castle, governed his fiefdom
by himself, had his own army, imposed his own taxes, and had his own code of
law and courts. The process of uniting these domains into a united country was
completed after about 50 years by one of Sho Hashi's successors, king Sho Shin
who turned the domains into a single country with one government, one army,
and a single code of laws, like today's modern countries.
To reduce the
possibility of a revolt in Okinawa, Sho Shin gathered all the princes (aji)
in Shuri and declared a prohibition against carrying weapons. Only the king's
army and nobles were allowed to carry weapons and no one but the king could
possess considerable amounts of weapons. As a result, the king's army became
the only one on Okinawa.
In 1609 the
Ryukyu kingdom which, until then, had existed as an independent country, was
occupied by the Japanese princedom of Satzuma and became its vassal until 1879
when, after the Meiji revolution, Okinawa was annexed by Japan. However, during
all the years between 1609 and 1879 the Japanese presence on Okinawa was minor;
there were only a few dozen samurai for the whole country and most of them lived
in the city of Shuri. The Japanese government confirmed Sho Shin's decree against
weapons and also added prohibitions against importing weapons and the possession
of firearms. However, the legends about the total disarmament of the Okinawan
population are no more than legends. Okinawan nobles were still allowed to carry
their swords and members of the royal family and princes were even allowed to
have rifles for hunting.
In karate books
it is often written that farmers developed Okinawan martial arts, but this does
not make any sense. Okinawa was never a rich country and, after the onset of
the Japanese occupation in the 17th century, it became poverty-stricken. Farmers
had to work from sunrise to sunset just to feed themselves. Villagers just didn't
have the time or the vigor to practice fighting and to develop sophisticated
martial arts.
It was the
nobles who developed Okinawan martial arts. The aristocrats (kazoku) practiced
fighting arts mainly as a pastime, but for "serving nobles" (shizoku)
knowledge of the martial arts was a must as many of them served the government
as army or police officers, tax collectors, and so on. If we look at the genealogy
of any style of Okinawan karate or kobujutsu, we see that the founder of the
style is the scion of a noble family, or that he learned martial arts from a
noble.
"Serving
nobles" on Okinawa, served the government as military and police officers
or as state officials. They protected and kept "law and order" and
received wages from the king. They had no other source of income as the law
prohibited them from any other occupation. At some point in time, this wage
became insufficient to feed their families and many of them were reduced to
beggary. In 1724, in order to solve this problem, the nobles were granted permission
to become merchants, farmers, or craftsmen. Many of them left the state service
and had to move into villages with their families just to feed themselves. After
a century and a half, following the Meiji revolution, Okinawan nobles (as well
as Japanese samurai) had their privileges revoked, including the right to carry
swords, and they were deprived of their wages. If you read "Gone with the
Wind" you will surely remember the story of the aristocrats of yesterday
who had to become shopkeepers and bakers to survive. And so it happened to the
aristocrats on Okinawa. Members of the royal family worked as teamsters and
night watchmen. Princes became hewers of wood and sellers of pigs in the marketplace.
Many of the nobility moved into villages. The farmers, of course, weren't happy
to meet their new neighbors and they tried to drive them off the villages' lands.
These efforts often resulted in fighting. The number of thieves and robbers
also increased in the country where food was a valuable. As a result, "farmer-princes"
had to refresh their fighting skills.
The nobility,
of course, would have preferred to fight with their swords rather than with
their bare hands, but they were prohibited from carrying weapons. As a result,
the farmer nobles armed themselves with anything in reach. Shaolin monks developed
fighting techniques with slippers and baskets; ninjas learned to kill their
opponents with chopsticks. And Okinawan nobles, deprived of their arms, also
developed weapons from any improvised means they could.
Staffs and
sticks of different lengths (the six foot rokushakubo, four foot jo, three foot
hanbo, etc.) always were used as auxiliary weapons, so they were adopted first.
Sickles (kama), oars (eku), hoes (kuwa), gaffs (nunti-bo), millstone handles
(tonfa) and other objects that could effectively be used in a fight were also
not forgotten. Two sticks connected by rope caught someone's eye. A warrior
swung them, pictured himself bashing an opponents head - and nunchaku was born.
The nunchaku
wasn't a very popular weapon. We deduce this because no traditional nunchaku
kata is known today. By contrast, we currently know more than a dozen traditional
staff katas. The lack of popularity for the nunchaku probably came from its
low effectiveness when used against the staff or other long-reach weapons, not
to mention the sword. On the other hand, one who was skilled in nunchaku usage
was easily able to defeat a few opponents who were armed with knives or who
were unarmed. The nunchaku was also an easy to conceal weapon, suitable for
carrying everyday. So, in Okinawa, the nunchaku was mainly used as a tool for
street self-defense against hooligans and robbers.
Weapons similar
to the nunchaku exist in many martial arts around the world. To mention only
a few of the best know ones: Chinese erjiegun; Philippine tabak-toyok; Korean
ssangjulbong; and European combat flails. All these weapons are built like the
nunchaku. Some of these are simply imported nunchaku from kobudo. For example,
the Philippine chako and tabak-toyok are just the Okinawan nunchaku made from
the local Philippine wood. Other martial arts have their own "stick-and-chain"
weapons, like the Shaolin sanjiegun or the European combat flail.
The nunchaku
is so popular today, that almost any new martial art incorporates this weapon
into its training. Because of its simplicity of manufacture, its high effectiveness
in street combat, and its soaring popularity due to Bruce Lee's films, the nunchaku
has had a new birth in our time. Today the nunchaku is one of the most popular
weapons after the knife and the baton.